from Standing by Words: Essays by Wendell Berry

February 2, 2008 Categories: Commonplace Book , Books |  

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Standing by Words: Essays by Wendell Berry

If both writer and reader assume that the writer’s gift makes him or her a person of a radically different kind, then it seems that the relation between writer and reader must be radically reduced. Reading a book becomes merely a diversion. A writer such as Shakespeare is of course distinguished by his language, which is certainly his gift and his love. But his language is, after all, the common tongue, to which his gift is uncommon grace and power; without his commonness we could neither recognize nor value his distinction. p. 9

The trouble, as in our conscious moments we know, is that we are terrifyingly ignorant. The most learned of us are ignorant. The acquisition of knowledge always involves the revelation of ignorance - almost is the revelation of ignorance. Our knowledge of the world instructs us first of all that the world is greater than our knowledge of it. To those who rejoice in the abundance and intricacy of Creation, this is a source of joy, as it is to those who rejoice in freedom. (”The future comes only by surprise,” we say, “- thank God!”) To those would-be solvers of “the human problem,” who hope for knowledge equal to (capable of controlling) the world, it is a source of unremitting defeat and bewilderment. The evidence is overwhelming that knowledge does not solve “the human problem.” Indeed, the evidence overwhelmingly suggests - with Genesis - that knowledge is the problem. Or perhaps we should say instead that all our problems tend to gather under two questions about knowledge: Having the ability and desire to know, how and what should we learn? And, having learned, how and for what should we use what we know? p. 65

The names poetry and marriage are given only to certain things, not to anything or to everything. Poetry is made of words; it is expected to keep a certain fidelity to everyday speech and a certain fidelity to music; if it is unspeakable or unmusical, it is not poetry. Marriage is the mutual promise of a man and a woman to live together, to love and help each other, in mutual fidelity, until death. It is understood that these definitions cannot be altered to suit convenience or circumstance, any more than we can call a rabbit a squirrel because we preferred to see a squirrel. Poetry of the traditionally formed sort, for instance, does not propose that its difficulties should be solved by skipping or forcing a rhyme or by mutilating syntax or by writing prose. Marriage does not invite one to solve one’s quarrel with one’s wife by marrying a more compliant woman. Certain limits, in short, are prescribed - imposed before the beginning. p. 93



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